After a string of random, seemingly unrelated murders by ordinary people, a detective finds that the perpetrators keep giving the same reason for their acts. And guess what that is?
Larry Cohen is something of a master of conceptual horror, by which I mean he has great ideas for horror movies, and his films rely more on those concepts and exploring them then they often do on, say, crafting tight set pieces or building atmosphere or what have you. And this has got to be one of his best ideas. It raises so many provocative questions about the nature of religion and faith in such a cool, creepy-ass way that of course the movie isn't really going to be able to live up to it, and the explanation and conclusion is going to be a bit of a letdown. That's just how Cohen usually rolls, and I think it's best to just accept the great ideas then nitpick how it could have been better.
Grade: B-
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