Thursday, October 4, 2012

The Loved Ones

A likable but depressed high school student is abducted on prom night by a deranged classmate with a crush on him and her loyal, completely nutso father. Not only is she seeking an involuntary prom date, but vicious revenge at the boy for turning her down.

A few years ago I applied the term "nu-horror" to a subgenre I had noticed was becoming more popular: a style of horror that sought to mix the over-the-top goofiness of 80's horror/comedies like Evil Dead 2 with the gut-punch, viscerally disturbing vibe of tortured themed horror movies like Hostel. Often I find that this style just doesn't work; the tones clash and you're left with a movie that's too dreary to be funny and too ridiculous to be disturbing. This scrappy little Australian flick manages to do a decent job of striking that balance, however, by reigning in the dark humor and the torture so that neither overpowers the film. There are drugings, beatings, feet pinned to floor via knife, powerdrills to the brain, and a serious threat made towards a penis, but it never reaches Martyrs levels of sickening misery. Likewise, there's some goofy teenage shit going on, a lot of fucked up darkly comedic dialogue by the father and daughter, and some moments of over-the-top gore, but it never flies off the rails into complete silliness.

The Loved Ones' secret weapon is Robin McLeavy, the actress who plays the psycho girl. This isn't one of those performances where she's a shy and abused girl from a bad household with conflicted motives; she's a gleeful, vindictive psycho who has no illusions about what she's doing. She enjoys making people suffer and she manipulates her father by playing to his obvious sexual attraction to her. McLeavy's performance is freaky, funny and, uh, a little sexy.

The film is far from perfect. Much time is wasted on a fitfully amusing subplot about the protagonist's best friend's prom date that, as far as I could tell, has almost nothing to do with the rest of the movie. Likewise, the film keeps cutting back to the protagonist's girlfriend and mom, who don't seem to do much. I suspect these subplots are there to give the audience a breather and inject some levity, but most of it comes off as filler, and it takes up a good chunk of the film.

One touch I'm not sure I like is that after his abduction, the hero is given an injection that paralyzes his vocal chords, and he spends the rest of the film unable to talk. I suppose this adds to his helplessness, and there's certainly nothing wrong with the actor's subsequent physical performance, but it does steal some of the drama away from the scenario. By removing his ability to talk back, all the big scenes can feel a little one sided, and the ostensible hero takes too much of a backseat to the freaks.

That said, the movie has one pretty good weirdass twist up its sleeve (although it's done better in Lucky McKee's The Woman), and does build to a pretty satisfying ending. I guess the real "loved ones" are the folks in the audience.*

Rating: B-

*Final line of post written by Gene Shallit.

10 comments:

Shenan said...

Um, and you looked at me weird when I remarked that the movie was playing a little like a porno!! I agree that it was maybe disturbingly a little sexy.

Also, thank you for explaining what that injection was. I had no idea it paralyzed his vocal chords. I thought he was just being moody and silent, and trying to be tough in the face of his abuser.

Dan said...

I do not remember you saying that, but I still don't agree. Just because I think the actress is hot and I kinda have a think for crazy women doesn't mean I think the film is anything like porn.

Shenan said...

Well, I don't think it actually crosses into porn territory at all. Just that the atmosphere, the way it played out, the dynamics, the timing, etc., kind of felt similar.

Shenan said...

Like a really high-production porn where no one actually gets naked and you don't see anyone's genitals. Like in some bizarre-o universe, the director wanted to make a porn but couldn't break into the really exclusive porn industry, so he decided to make a legitimate movie instead.

Dan said...

You're not making any sense. And since when do porn movies start with like 20 minutes of a suicidal kid dealing with his dad's death? And then have him get abducted and tied to a chair and tortured? Have you ever seen porn, and if so what kind of fucked up porn are you watching?

Shenan said...

Oh goodness, not the whole movie. Just the sexy torture parts.

Dan said...

Again, what the hell kind of porn are you watching, woman?

Shenan said...

I will not be made out to be the weird one here for knowing that porn sometimes features themes of sexy sadism. Yeesh. I really don't think it was a stretch to say that the sexy, sadistic scenes kind of played like a really really well made (and much more tame) sexy sadistic porno in their atmosphere/attitude.

Dan said...

I do. I don't think it looks or feels anything like any porn I've ever scene. It doesn't have the (lack of) atmosphere, the acting is too good, the situation is too nuanced, there's too much story, too much "foreplay" instead of getting down to business, too aesthically pleasing.... nothing like porn.

Is there a sexual element to it? Sure. But there is nothing about it that resembles pornography.

Shenan said...

Haha I know! That's why I said what distinguishes it is that it's a real movie, with production value. I don't know, maybe my point is that even so-called "torture porn" movies (not actual pornos, mainstream movies dubbed "torture porn") like the HOSTEL movies are not sexy in the least. They don't really ask anyone but people turned on by pure torture with no sexual overtones to get turned on by it. This was deliberately presenting torture and the D/s dynamics as sexy and fetishy, which I feel like is not very common in mainstream horror movies, even of the torture variety.